Behind the Scenes of “EXOPLANETS – Discovering New Worlds”

Part One: Delving into Exoplanet Science and Searches

It’s hard to believe more than a quarter-century has passed since the first confirmations of exoplanets around distant stars. The actual detections of these distant worlds actually began much earlier in the 20th Century. I’ve seen references to one made as early as 1917, but it never confirmed as a planet. The technology for confirming detections of distant worlds really began to mature in the 1990s, and the methods astronomers use to do this important work continue to improve.

These days, we know of thousands of worlds orbiting other stars, and more are found through both space- and ground-based observations all the time. That story of exploration is the basis for our latest show, EXOPLANETS – Discovering New Worlds. This article, and several others that follow over the next few weeks, will delve a bit more deeply into the complex of science topics that are part of the search for these distant worlds.

An orbital view of the TESS satellite searching for exoplanets.
A scene showing the Transiting Exoplanet Explorer Satellite (TESS), created in Digistar for EXOPLANETS – Discovering New Worlds.

I became fascinated with the topic of exoplanets in graduate school (the 1990s). This was about the time the first confirmations of planets around a pulsar reverberated throughout the astronomy community. Of course, as an avid science fiction reader, I’ve read for years about alien worlds. They are a staple of the genre. So, it was just a matter of time before astronomers could find them in real life.

An Exoplanets Numbers Game

Today, nearly five thousand distant worlds have been confirmed as exoplanets (and thousands more candidates are detected). Based on current confirmations, astronomers estimate the Milky Way Galaxy has billions of planets.

Given those kinds of numbers, I knew I had to tell this story. To begin with, it’s a tale of technology giving planetary scientists and astrobiologists unprecedented technological access to distant worlds. While they haven’t yet directly imaged the surface of a world around another star, astronomers learned enough to characterize those distant places. Sometime in the not-too-distant figure, images will come.

Worlds of Many Types

Within the group of confirmed extrasolar planets, astronomers now can separate them into categories—such as gas giants, Neptunians, super-Earths, and terrestrials. Gas giants are similar to our Jupiter or Saturn. The Neptunians are, well, like Neptune, but often larger.

Super-Earths and terrestrials are more like Earth, in various ways. They are where astronomers can search first for habitable environments. That’s important because, in many ways, the hunt for exoplanets IS a search for places where life might exist elsewhere in the universe. And, what better place to start than at a planet that’s similar in ways to the one we already live on?

Visiting Alien Worlds in Our Imaginations

In EXOPLANETS, we talk about search methods and planetary types, and through the “magic” of CGI visualizations, we can visit worlds to see what we think they might be like. Imagine visiting the first worlds discovered to orbit a pulsar—the rapidly spinning remnant of a massive star. Or think about what an ocean planet inside a star’s habitable zone might be like, or a volcanic world still molten from the heat of its formation. Finally, consider what it will be like when we do find a planet that harbors a technological civilization. That’s the stuff of science fiction for now, but if “they” are out there, chances are good our searchers will eventually find them.

We show those imaginary (but possibly real) worlds in EXOPLANETS. I was fortunate to have an extensive set of CGI-generated planets to illustrate this show. We also edited or created scenes using tools at hand such as Evans & Sutherland’s Digistar 6 program. (We have been very proud to use this software and really appreciate the work that the folks at E&S put into their product.) During production, we were also fortunate to have technical assistance and advice from fellow Digistar user Justin Bartel, of the Science Museum of Virginia.

The result is an immersive fulldome video that blends science, documentary-style storytelling, and a touch of science fiction into a compelling look at our search for planets around alien worlds.

We invite our planetarium colleagues to make EXOPLANETS – Discovering New Worlds an integral part of their fulldome repertoire. It’s an approachable, accurate, imaginative—and affordable—story of exploration beyond our solar system for worlds beyond.

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A Geodesium Meetup With Alan Parsons

Celestial Rhythms: NYC Live '85 albumAs a musician, the “Celestial Rhythms” concert — performed at New York City’s Hayden Planetarium in May 1985 — was a special event. Meeting up with the noted science fiction author Dr. Isaac Asimov made it an even more memorable experience for both Carolyn and me. We’d been avid readers for decades.

Asimov was a friend of the Hayden Planetarium. After the concert, he gave the keynote lecture at the banquet of the Middle Atlantic Planetarium Society convention, being held at Hayden at the same time. We knew in advance The Good Doctor would be in attendance at our concert. So I prepared an arrangement of I Robot, the title track of the Alan Parsons Project album, for us to play. This was to be the encore of the concert. I dedicated it to Asimov, sitting in the audience. That performance is now immortalized on the Geodesium album, Celestial Rhythms: NYC Live ’85.

I thought that someday, if I ever got a chance to meet Alan Parsons, I’d tell him about that special night, when I’d actually gotten to play I Robot — for “I, Robot” author, Asimov!

It only took 35 years… but that time finally came in February 2020, at a meet-and-greet event before an Alan Parsons Live Project concert in Denver. Another memorable experience — finally getting to meet someone who has provided a soundtrack for our lives, whose work has inspired a lifetime of music-making.

Carolyn, Alan, Mark

Alan Parsons gets the Celestial Rhythms: NYC Live ’85 album from Carolyn and Mark Petersen.

I got to ask Alan if he had ever met or talked with Asimov; he replied “Eric (Woolfson) did.” I told him how I’d recorded his piece as an encore, and made a verbal dedication to Asimov during our performance. And I presented Alan with the Celestial Rhythms: NYC Live ’85 CD. He graciously asked me to autograph it for him, which I was honored to do.

And as they say, “Pics or it didn’t happen…”, so here’s the proof, with Carolyn as my witness!

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Losing the Dark to Light Pollution

Help Educate your Audiences about Light Pollution

Losing the Dark posterWe’re losing sight of the Milky Way, due to light pollution. Those of us in the planetarium community know this innately. So do astronomers, outdoors enthusiasts and others who appreciate the night sky.

There’s now some verifiable scientific evidence for the amount of light pollution out there. The folks at the Cooperative Institute for Research in Environmental Science put together a study of light pollution and its effects on night sky visibility. They used high-resolution satellite data and precision sky brightness measurements. What they came up with is the most accurate assessment yet of the world-wide impact of light pollution. Their report is called The New World Atlas of Artificial Sky Brightness. It shows where the skies are brightest due to unnecessary or unwise use of lights at night. It’s a call to action, or at least a call to do some serious thinking about how we light up our cities, towns, and countryside.

Educating the Public through Dome Exposure

Most of you know that we at Loch Ness Productions have long advocated mitigating light pollution. Since we now live in an area with reasonably dark skies, we’re among the lucky ones who CAN see the Milky Way at night. We think more people should be able to do so, too.

That’s why we got involved with the International Dark-Sky Association some years ago. In 2013, the group asked us to make a video about light pollution. The result is Losing the Dark. It’s available as a free download in both fulldome and flat-screen formats. Many fulldome theaters have it, and we hear all the time about how the flat-screen version is used in public policy and education presentations.

As the story about the loss of the Milky Way percolates through the public consciousness, please feel free to use this video to help facilitate the conversation with your audiences. It’s available in 17 languages and is a powerful way to educate our audiences about the creeping effects of light pollution.

 

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